As I do every year, I will attempt to see the other 18 movies by the time the awards happen (yet another reason I love winter break!). The Golden Globe nominations are a good place to start if you're looking for those outstanding movies you may have missed earlier in the year and are usually at least somewhat accurate when it comes to predicting the Oscars.
Looking at the nominations so far, four movies clearly stand-out: Lincoln, Zero Dark Thirty, Les Misérables, and Silver Linings Playbook. The leader of the pack is Lincoln, no surprise to anyone, with seven nominations, the other three falling behind (with four nominations) my least favorite nominee, Argo, and my most anticipated movie of the year: Django Unchained (each receiving five nods).
Of the six mentioned above, I've already seen three and the winners are clear: Lincoln and Sliver Linings Playbook hands down. However the buzz surrounding both Zero Dark Thirty and Les Mis may make me think twice.
If the past few years have taught us anything it's that Kathryn Bigelow knows how to make a war movie not revolve around a war (the main rationale behind her adrenaline junkie focused Hurt Locker taking the big prize at the Oscars). But how can one make a movie about the search for Osama Bin Laden not revolve around war? I don't think it can be done, which makes me think this will end up being reminiscent of past 'war-centered' award winners like Apocalypse Now, Platoon, and The Deer Hunter. Where this movie will be different is the fact that no one in America will be able leave the theater without wanting to chant "U.S.A."
This is what I expect to see surrounding me in the theater:
As much as I love The Hurt Locker and Kathryn Bigelow for taking down James Cameron and his precious Avatar"d," (Don't get me wrong, I like Avatar, but I would have liked it better had it been an original story) I think this is an low and easy way to get nominations. Take a story that everyone has at least heard about and make it into a movie. I sincerely hope I fall in love with this movie.
Now onto Les Mis. A musical. The last time a musical won was 2006's Sweeney Todd: The Demon Barber of Fleet Street. Could this be the year to dethrone a comedy? Possible, but not likely. Either way, it is already being heralded already as one of the musical greats. Probably most famously for having the actors sing live on the screen. In the modern age, yes this is something new and rare, but when film first started, the only way to record sound was to actually have them sing live. Maybe the nostalgia will capture audiences the way it did last year in The Artist. Although for many I think it will add a feeling of watching an actual Broadway production, which will detract some, but attract many more.
Finally there is Quentin Tarantino's new film Django Unchained (for those who don't know, the 'D' is silent). In true 'him-fashion,' for lack of a better word, Tarantino has made what looks to be like the best western in years! I'm especially looking forward to seeing Leonardo DiCaprio and Christoph Waltz (both nominated for Best Supporting Actor) square off in the film. Both are able to carry weighted roles and make them look easy. Seeing Jamie Foxx and what I'm sure will be gratuitous violence through out is definitely exciting as well.
Other movies worth mentioning are the Ewan McGregor and Emily Blunt carried Salmon Fishing in the Yemen, the awkwardly adorable Moonrise Kingdom, and the apparently visually stunning Life of Pi (Move over Avatar).
While I still like the Golden Globes they pale in comparison to both the Oscars and the Emmys so no TV talk from me today. Even some of the movies were a surprise. There was talk of The Dark Knight Rises getting some attention, but alas, it went unnoticed. We shall see how these movies hold up through the coming months building up to the Oscars.